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Supernova “The Blue Area”, 2020

Supernova “The Blue Area”, 2020
DATA
Supernova “The Blue Area”, 2020
Each W800 mm x H250 mm x D40 mm | 31.5 x 9.8 x 1.5 in
Firecrackers, Acrylic, Wood board canvas

 


 

CONTEXT

  A star flashes and twinkles after the explosion. Those stars scattered in the Galaxy repeat the cycle of reincarnation: explosion and birth. He spread out ‘Firecracker Painting’ by taking advantage of the explosion of firecrackers all over the canvas. He made a painting of supernova explosion through blasting firecrackers. The system of reincarnation that explosion creates a new planet resembles apoptosis. About 3,000 human cells die in a day and reproduced. He feels the magnificent universe and the macrocosmic human cell in common, which have a fateful cycle that everything must come to an end in order to be renewed. The paint left its mark of explosion power which blasted unintentionally and even the tiniest paint can be found far from the center. All those tiny blasted dots on the canvas is too minute to be captured by a pixel digital camera.

  Explosion, death, and birth are in one united cycle. We shall never fear the death in order to be renewed. This is how human being is supposed to be and ordained by the universe.


The Sex Robot, 2019

The Sex Robot, 2019
DATA
The Sex Robot, 2019
W330 mm x H770 mm x D270 mm | 13 x 30.3 x 10.6 in
PLA, Music shield cables, Acrylic paints, Wood board canvas

 

CONTEXT

  It’s about human sexuality. Technology and AI has been developed and human being started demanding simplicity of sexual desire. It becomes more easier to get information because of the development of internet and smartphone. Getting involved with people, talking, understanding and sharing each other create mental and time distress. People who wants to run away from those pain started breaking away from their communities. They rather choose to get involved with people in simpler way. They tend to prefer easy way of life to the importance of their existence.


Lordosis, 2019

 Lordosis, 2019
DATA
Lordosis, 2019
W330 mm x H770 mm x D250 mm | 13 x 30.3 x 9.8 in
URUSHI, PLA, Acrylic basement

 

CONTEXT

  When a female of vertebrate animal goes into breeding season, it behaves sexually and it’s called ‘Lordosis’: a body posture to catch a male’s sexuality and stimulation. A male reacts its posing potentially and becomes sexually excited. Of course, a male doesn’t get sexually excited only its posing, but also every part of female’s body, behavior, smell, pheromone or a relative combination of these elements. Which part of a female does a male look at and get sexually excited? Her face, breasts, hips, or the whole body silhouette? If her face looks like a gorilla even though she has perfect proportions, or if she has a monkey tail, does all males can get sexually excited? I am going to examine these questions with a motif of Marilyn Monroe as a sex symbol. Japanese people have been attracted by American pop culture and also brainwashed at the same time. They also sexually long for ‘blond hair beautiful woman’. By painting its sex symbol with Urushi lacquer, which has been used for painting a sculpture from long ago in Japan, I wanted to feel the domination over it. A classic feeling that is produced by Urushi forcibly brings back its past tense and culture which the symbol has to a Japanese sense.


Profile

松嶺 貴幸 / Takayuki Matsumine
1985年、岩手県雫石町生まれ、同県の盛岡市を拠点に活動、ニューヨーク、ドバイなど国際的に作品を展示・披露する現代アート作家。

NFT on Rarible and Foundation

Biography

豊かな自然が美しい景観をもたらす、岩手県雫石町で生まれ育ったことで、自然の中にある美を探求・表現することに魅かれ、松嶺貴幸自身の表現に強く影響している。NFT, 立体造形, インスタレーションと制作領域が広い現代アート作家である。

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